The château of Sully-sur-Loire dates from the end of the 14th century and is a prime example of a medieval fortress. It was built at a strategic crossing of the Loire river.

The château was expanded by Maximilien de Béthune, first duke of Sully and prime minister of King Henry IV of France (1560-1641), who is buried on the grounds of his château. The family of the dukes of Sully retained ownership of the château until the 20th century.

King Louis XIV, his mother Queen Anne of Austria, and prime minister Cardinal Mazarin sought refuge in the château of Sully-sur-Loire in March 1652 after they were driven out of Paris during the revolt of the French nobility known as the Fronde.

The castle today

Outer Courtyard Today there is a two-meter-high statue of white Carrara marble representing the first Duke of Sully, Maximilien de Béthune. The figure was originally made for Villebon Castle in 1642 by Pierre II. Biard on behalf of Rachel de Conchefilet. It shows the Minister of Henry IV wearing a laurel wreath and holding a marshal's staff.

Castle buildings The buildings are grouped around the Inner Courtyard with a narrow gallery to the South - the so-called Galérie d'Agréement - of two storeys and a steep roof from the 17th century and a curtain wall to the west from the 19th C. All built in Sandstone, the roofs are covered with slate.

Gate Tower A stone arched bridge on the west side of the Outer Courtyard leads to the square Gate Tower from the 15th C. Its three storeys rise on a square plan and are completed by a bent hipped roof. To the courtyard side, the building has a narrow, pentagonal stair tower with five floors. The coat of arms of the de Béthune family can be seen above the arched entrance.

The Petit Chateau South of the portal tower is the Petit Château, a three-storey steep-roofed building. Its top floor has a battlement on a cantilever stone console on the northeast façade. On the ground floor of the building is the former study of Maximilien de Béthunes, while on the first floor his bedroom can be visited. Both rooms were restored in the second half of the 20th century and show the building stock of the 18th century. However, their painted beamed ceilings date back to the 16th century.

The Louis XV Wing North of the portal tower is an unfurnished two-storey steep-roofed building, called the wing of Louis XV. and borders at its northern end to the Keep. The Wing accidentally burnt down in 1918 and rebuilt in 1923, as a basic shell of only 2 floors (it was 4).

Tour d'Artillery and Tour de Béthune At the southern corner of the courtyard stands as a link between the western curtain wall and southern gallery of the Tour d'Artillerie (Artillery Tower), which owes its name to its use as a platform for cannon. The round tower has five-meter-thick walls and an outer diameter of 15 meters. Built in 1606 on the site of a previous tower from 1363, it has always had only one above-ground floor with a flat roof used originally to house cannon.

The southern end of the Petit Château joins a high round tower with four floors and a conical hipped roof. Its present name, Tour de Béthune, commemorates Maximilien de Béthune, originally it was called Tour de la Sange. With a diameter of twelve meters, it has in the attic a cantilevered, all-round battlement on stone consoles and machicolation rows and dates from 1440.

The Keep The Keep from the end of the 14th century is the oldest preserved part of the castle complex. It has three above-ground levels, which are completed by a pitched roof. At each of the four corners of the 39 x 16-meter building, there is a projecting four-story round tower with a diameter of 11.50 meters. Only the two eastern corner towers still show their original shape. Crowned by a bent cone helmet, its fourth story features a projecting battlement with small windows, machicolations and loopholes. The two western corner towers, however, lack the fourth floor; while the northwestern tower has a flat cone helmet, the southwestern is completely roofless. All have in common, however, that they have in the Keep facing wall section a narrow spiral staircase and their floors have no vaulted ceilings, but flat wooden ceilings. The Keep, also called Grand Château, is accessed via a ground-level entrance on its south side. In earlier times, the entrance was only accessible via a drawbridge, as the keep was additionally protected from the courtyard by a moat filled today. The gatehouse is flanked on its west and east sides by two narrow round towers, the eastern contains the staircase to the keeps three floors, while on the ground floor of the western tower contains the chapel. The top floor of the keep has a cantilevered battlement with loopholes on all sides, although that to the west is rudimentary. The interior of the keep and its towers have been heavily modified throughout its life. Inside, all three floors are divided by a partition to the west a 300 m2 hall and a slightly smaller salon to the east. On the ground floor there is the Watch room, which has a coffered wooden ceiling painted partly with ducat gold and to the east a museum space and shop.

The second floor has the Grand Hall, which has served several times as a theatre. Its chimney on the south-east wall dates from the 15th century and has a wall painting in its upper mantelpiece, showing the Rosny Castle. East of the Great Hall is the so-called ceremonial room, the bedroom of the Dukes of Sully with Flemish tapestry and wooden beamed ceiling in the Italian style and wallpaper in blue Damask.

In the southern wall, behind a wood panelling is a hidden heavy iron door from the 16th Century, which leads to a small study in the first floor of the western tower in the entrance building. Originally the drawbridge was operated from there, the room later served as a study and then as a treasury of the lords of the castle. Today there is an oratory with a copy of the tomb of Maximilien de Béthune and his second wife Rachel de Conchefilet, which houses the mortal remains of the couple. The third, 16m high floor of the Keep is primarily known for its extraordinary roof truss, called the Grand Galetas. The tall chestnut woodwork has the shape of a ship's keel turned upside down and today remains free from woodworm or other termites without the use of chemical means. It is considered a great masterpiece of medieval carpentry and is one of the few examples that are completely preserved from that time. The good condition of the roof truss results partly from a special processing method of the wood used, which came from the shipbuilding. After being placed in salt water, the wood was dried for years and treated with alum. In addition, the unusual construction of the roof truss ensured lasting and good ventilation of the beams, so that they still require no modern intervention for their preservation. From an art-historical point of view, a tapestry series of the 17th century is worth mentioning in addition to the beams. The six wall hangings from a Parisian workshop called Tenture de Psyché depict the myth of Psyche and were kept in Rosny-sur-Seine until March 1994.

Garden and Parkland The 25-hectare garden lies to the east of the Outer Courtyard reached via a stone bridge. However, the symmetrical beds of the former Baroque garden are no longer preserved. Instead, the area is now almost completely occupied by trees with only the paths ways indicating the original layout.

Château de Sully-sur-Loire is listed as a monument historique by the French Ministry of Culture. Now a property of the Département du Loiret it has since benefited from numerous restorations. It hosts a classical music festival each June. The château contains numerous tapestries (including a set of six seventeenth-century hangings, the Tenture de Psyché), paintings of Sully's ancestors and heirs, and seventeenth-century furnishings. Here is also the tomb of Sully and that of his second wife.

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